Other Side
by Swircle 987
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Digital Album
Immediate download of 2-track album in your choice of high-quality MP3, FLAC, or just about any other format you could possibly desire.Buy Now name your price
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Other Side_128 bpm Mix
05:00
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2. |
Other Side_150 bpm Mix
04:16
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about
These mixes, which collectively represent the song called "Other Side," are all based on the same musical elements. The percussion's less than completely "4 to the floor" pattern is consciously reminiscent of the first song - "Keep Pushing Thru" - of the album on which it belongs. In fact, many of the components of the "Other Side" mixes originated in the same song, including the basis for the sounds themselves.
Other than those similarities, however, the structures of the "Other Side" mixes are noticeably different pieces than "Keep Pushing Thru." The bass line is far more staccato and jumpy than the repeatedly swelling nature of the latter songs. The same is true of the ambient chords, though they are exceptionally minimal in comparison - only playing Eb major or it's relative minor, namely C minor.
The most vivid aspect of "Other Side," is the lilting melody in nearly constant descent. When it hits the bottom, it remains there...only to strike the top more and more frequently as it returns. On it's way down it is sure to touch upon every chromatic pitch in its octave, yet only rests on each diatonic one. This comprehensive system of melodic motion serves to sound every added pitch to the otherwise repeating Eb major harmony.
So, why the name "Other Side"? Well, I s'pose I could simply say:
"Keep pushing thru
till you get to
where you need to
get to...
...on the other side."
Other than those similarities, however, the structures of the "Other Side" mixes are noticeably different pieces than "Keep Pushing Thru." The bass line is far more staccato and jumpy than the repeatedly swelling nature of the latter songs. The same is true of the ambient chords, though they are exceptionally minimal in comparison - only playing Eb major or it's relative minor, namely C minor.
The most vivid aspect of "Other Side," is the lilting melody in nearly constant descent. When it hits the bottom, it remains there...only to strike the top more and more frequently as it returns. On it's way down it is sure to touch upon every chromatic pitch in its octave, yet only rests on each diatonic one. This comprehensive system of melodic motion serves to sound every added pitch to the otherwise repeating Eb major harmony.
So, why the name "Other Side"? Well, I s'pose I could simply say:
"Keep pushing thru
till you get to
where you need to
get to...
...on the other side."
credits
released 10 July 2012
Composed, produced, mixed, remixed, and mastered by Swircle 987, aka Will Beazley.
Album art by Swircle 987, aka Will beazley.
Composed, produced, mixed, remixed, and mastered by Swircle 987, aka Will Beazley.
Album art by Swircle 987, aka Will beazley.
tags
license
all rights reserved
feeds
feeds for about
Swircle 987, aka Will Beazley, is an abstractician. An abstractician deals primarily with things in the abstract such as
Mathematics, Music, and Art. Swircle 987 is the name Will Beazley has given to himself for the purpose of representing his music and art.
Though Will Beazley also improvises on keyboards, writes songs for guitar, and sings, his electronic music exhibits the beauty of logic.
... more
discography
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May 2013 -
Mar 2013 -
Feb 2013 -
Jan 2013 -
Jan 2013 -
Dec 2012 -
Dec 2012 -
Nov 2012 -
Nov 2012 -
Nov 2012 -
Aug 2012 -
Jul 2012 -
Jul 2012 -
Jun 2012 -
Jun 2012 -
Jul 2012 -
Jun 2012 -
Jun 2012 -
Jun 2012 -
Jun 2012 -
Apr 2012 -
Mar 2012 -
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Feb 2012 -
Jan 2012 -
Dec 2011 -
Jan 2012 -
Jan 2012
contact / help
For help with downloads, click here.
For all other inquiries, click here.
- Track Name: Other Side_128 bpm Mix
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On the
other side. - Track Name: Other Side_150 bpm Mix
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On the
other side
